Anglais renforcé (analyse de textes)

Samedi 23 décembre 2006

SUMMARY

    The Bottom is a mostly black community in Ohio, situated in the hills above the mostly white, wealthier community of Medallion. The Bottom first became a community when a master gave it to his former slave. This "gift" was in fact a trick: the master gave the former slave a poor stretch of hilly land, convincing the slave the land was worthwhile by claiming that because it was hilly, it was closer to heaven. The trick, though, led to the growth of a vibrant community. Now the community faces a new threat; wealthy whites have taken a liking to the land, and would like to destroy much of the town in order to build a golf course.

Shadrack, a resident of the Bottom, fought in WWI. He returns a shattered man, unable to accept the complexities of the world; he lives on the outskirts of town, attempting to create order in his life. One of his methods involves compartmentalizing his fear of death in a ritual he invents and names National Suicide Day. The town is at first wary of him and his ritual, then, over time, unthinkingly accepts him.

Meanwhile, the families of the children Nel and Sula are contrasted. Nel is the product of a family that believes deeply in social conventions; hers is a stable home, though some might characterize it as rigid. Nel is uncertain of the conventional life her mother, Helene, wants for her; these doubts are hammered home when she meets Rochelle, her grandmother and a former prostitute, the only unconventional woman in her family line. Sula's family is very different: she lives with her grandmother, Eva, and her mother, Hannah, both of whom are seen by the town as eccentric and loose. Their house also serves as a home for three informally adopted boys

and a steady stream of borders. Despite their differences, Sula and Nel become fiercely attached to each other during adolescence. However, a traumatic accident changes everything. One day, Sula playfully swings a neighbourhood boy, Chicken Little, around by his hands. When she loses her grip, the boy falls into a nearby river and drowns. They never tell anyone about the accident even though they did not intend to harm the boy. The two girls begin to grow apart. One day, in an accident, Sula's mother's dress catches fire and she dies of the burns. After high school, Nel chooses to marry and settles into the conventional role of wife and mother. Sula follows a wildly divergent path and lives a life of fierce independence and total disregard for social conventions. Shortly after Nel's wedding, Sula leaves the Bottom for a period of 10 years. She has many affairs, some with white men. However, she finds people following the same boring routines elsewhere, so she returns to the Bottom and to Nel. Upon her return, the town regards Sula as the very personification of evil for her blatant disregard of social conventions. Their hatred in part rests upon Sula's interracial relationships, but is crystallized

when Sula has an affair with Nel's husband, Jude, who subsequently abandons Nel. Ironically, the community's labelling of Sula as evil actually improves their own lives. Her presence in the community gives them the impetus to live harmoniously with one another. Nel breaks off her friendship with Sula. Just before Sula dies in 1940, they achieve a half-hearted reconciliation. With Sula's death, the harmony that had reigned in the town quickly dissolves. In 1965, with the Bottom facing the prospect of the white golf course, Nel visits Eva in the nursing home. Eva accuses her of sharing the guilt for Chicken Little's death. Her accusation forces Nel to confront the unfairness of her judgment against Sula. Nel admits to herself that she had blamed his death entirely on Sula and set herself up as the "good" half of the relationship. Nel comes to realize that in the aftermath of Chicken Little's death she had too quickly clung to social convention in an effort to define herself as "good." Nel goes to the cemetery and mourns at Sula's grave, calling out Sula's name in sadness.

Sula is a novel about ambiguity. It questions and examines the terms "good" and "evil," often demonstrating that the two often resemble one another. The novel addresses the confusing mysteries of human emotions and relationships, ultimately concluding that social conventions are inadequate as a foundation for living one's life. The novel tempts the reader to apply the diametrically opposed terms of "good and evil,"

"right and wrong" to the characters and their actions, and yet simultaneously shows why it is necessary to resist such temptation. While exploring the ways in which people try to make meaning of lives filled with conflicts over race, gender, and simple idiosyncratic points of views, Sula resists easy answers, demonstrating the

ambiguity, beauty, and terror of life, in both its triumphs and horrors.


CHARACTERS

Cecile is Helene's strict, religious grandmother. She raised Helene from birth, and arranged Helene's marriage to Wiley Wright, Cecile's grand-nephew. When Cecile dies, Helene takes her 10-year-old daughter Nel to New Orleans for the funeral.

Chicken Little is a neighborhood boy. One day, Sula playfully swings him around by his hands. She accidentally loses her grip, and he falls into the river and drowns.

The Deweys are Eva's three informally adopted children, all of whom she named Dewey. They quickly became inseparable from one another. Although they look completely different, people have trouble telling them apart. They never grow into full adult size.

Old Willy Fields is an orderly at the local hospital.

Mr. Finley is a resident of the Bottom. Not long after Sula returns to the Bottom after a ten year absence, he chokes to death on a chicken bone.

Jude Greene is Nel's husband and works as a waiter in the Hotel Medallion.

Ajax (Albert Jacks) is the oldest of his mother's seven sons. Ajax has many lovers who often fight over him in the streets. He is always nice to his lovers, but he finds them uninteresting. The only true loves of his life are his mother, a conjure woman, and airplanes. At age twenty-one, he is a beautiful, graceful "pool haunt." Other men envy his "magnificently foul mouth." It is not that he curses often, but he has a way of infusing the most ordinary words with power.

Nel is the daughter of Helene, in adolescence she develops an intense friendship with Sula. Nel marries Jude, and is later abandoned by him.

BoyBoy Peace was Eva's husband. He abandoned her when their three children were small.

Eva Peace was abandoned by her husband, BoyBoy, when their children were young. She struggled to keep her family away from starvation, but she succeeded only through the kindness of her neighbours. Eva later became the vibrant matriarch over a busy household, which included Hannah, Sula, Ralph, Tar Baby, the Deweys, and constant stream of boarders.

Hannah Peace is Eva's oldest child. She moved back in with her mother after her husband, Rekus, died when their daughter, Sula, was three years old. Like her mother, Hannah loves "maleness." She has frequent, brief affairs with the men who take her fancy. Many women resent her, but they don't hate her. Men don't gossip about her because she is a kind and generous woman. They often defend her against the harsh words of their wives.

Pearl Peace is Eva's second child. She is actually named after Eva, but Eva gave her the nickname "Pearl." Pearl married at age 14 and moved to Flint, Michigan. She occasionally writes unremarkable letters about the everyday details of marriage and motherhood.

Ralph Peace, nicknamed Plum, is Eva's youngest and best-loved child. He fights in World War I, returning home with troubling memories and a heroin addiction.

Sula Peace is Hannah's daughter. She has a birthmark over one of her eyes. Depending on their perception of her, people think the birthmark looks like different things: a stemmed rose, a snake, or Hannah's ashes. When they are young girls, Sula and Nel become close friends.

Rekus was Hannah's husband and Sula's father. He died when Sula was three years old.

Rochelle is Helene Wright's mother. She is a Creole prostitute in New Orleans. Rochelle played little part in Helene's upbringing.

Shadrack is a World War I veteran from the Bottom. He spends two years in a hospital after he suffers a traumatic experience in the War. He has a terror of unexpected death, so he institutes National Suicide Day. Every year on January 3, he marches through the Bottom declaring that people should commit suicide or, if they want, kill each other.

Mr. and Mrs. Suggs are Eva's neighbours. Not long after BoyBoy abandoned her, Eva left her children with them, promising that she would return within a few hours.

Tar Baby is a white alcoholic who lives in Eva Peace's home. She gave him his nickname as a joke.

Teapot is a neglected, malnourished child living in the Bottom.

Helene Wright is the daughter of a New Orleans Creole prostitute, Rochelle. Helene's strictly religious grandmother, Cecile, raised her until she was safely married off to Wiley Wright at age 16. Helene lives a comfortable middle class life in the Bottom. After nine years of marriage, she gave birth to her only child, Nel.

Wiley Wright is Cecile's grand-nephew and Helene's husband. He is a seaman and is often away from home.


Par Clémentine
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Mercredi 7 février 2007

The train episode

Vocabulaire :

to steam up : haleter, se couvrir de buée / a string purse : un sac en résille / a covered basket of food : un panier fermé plein de provisions / a skim : une couche / gal : "ma fille" / flawed : qui a un défaut / dangled : suspendu / jaunt : balade / the coach : la voiture / peaked caps : bonnets pointus / for no earthly reason : sans l'ombre d'une raison / a street pup : un petit chien des rues / fussily : agir avec précaution / to worship : vénérer / to be flustered : perdre ses moyens / to stammer : bafouiller / to slutter : bredouiller / to mince : minauder / to bubble : frémir / wobbly: tremblotant / the folds : les plis / to quell a roustabout : calmer un trublion / to turn into jelly : réduire en bouillie

. Etude de texte :

This extract takes place in 1920. It deals with the journey from the Bottom to New Orleans and the scene is seen to the eyes of Nel. Nel lives her community to discover racism.

I - In the train

When Cecile (Helene's grandmother) falls ill, Helene sews herself a magnificent dress in preparation for the journey she will have to make to New Orleans in the Deep South for the funeral. Despite the splendor of her clothes, she is insulted and humiliated by the white conductor on the train. Actually, they are in the part reserved to the white community. The moment she is called "gal", Helene acts like a child, she loses her self-control. Helene's clothes shows that she is still a child. She gives the conductor a dazzling smile, inciting the silent animosity of the black passengers.The conductor is totally indiffeent to Helene's charm: She is just a black woman. Helene's behaviour makes her stupid when the two soldiers don't want to bow down in front of the white man. At the end of the day, when Helene and Nel arrive in New Orleans, the discover that Cecile has already died.

II - Racism 

Though Helene's conventionality is implicitly linked to the rich whites of Medallion, Helene still suffers from racism, as can be seen by her experience on the train. The order and boundaries of her conservative, religious, middle class respectability do not protect her from racism (neither the dress). Helene tries desperately to maintain composure, but her dazzling smile has a hollow, disturbing implication. She inadvertently gives her approval to a biased, racist authority, inciting the anger and hatred of the other passengers. Her effort to placate and please the rude conductor only makes his sense of superiority more secure.

III - Nel's point of view

 Because of the humiliation of her mother, Nel discovers that her mother isn't the model she wants to impose, she realizes that her mother is not indomitable. Nel is nearly at the same step as her mother. Nel feels ashamed and pleased that her mother is flustered. In front of the white conductor, her mother who is supposed to be strong, independant and pround, suddently collapses. After meeting Rochelle, Nel realizes that there are women who defy the conventional boundaries, whether of religion, femininity, or race. Struck by the realization that convention does not necessarily equate to strength, Nel resolves to build herself according to her own rules, to find strength within herself.

Par Clémentine et Amandine
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Jeudi 8 février 2007

National Suicide Day

Vocabulaire :

the baundaries : les limites / the tetter heads : les crétins (les boutonneux) / to goad : provoquer, guilloner / hens : poules / matted : emmélé / to fit (into) : avoir sa place / scheme: ordre / to straggle : trainer dans la rue => the stragglers : les passants / to lay of : pondre / yolks : jaunes d'oeufs / to womannize : courir les filles / fabric: tissu, lien

Etude du texte

This extract deals with the instauration of The national Suicide Day, in the Bottom, by Shadrack.

          Shadrack is the first character of the book and he is also Sula's protecter like he was her father. Shadrack is a former soldier who was traumatized during WWI (World War I). Indeed he suffers from severe shell shock. That's why he decided to give people a chance to kill themselves or to kill each other. Indeed, it's a way for him to fight his own fear of dying unexpectedly. He encloses death in one place on one day. In fact, it's a need to order his own existence. This day is on every January the 3rd. At the beginning, people were scared of Shadrack's cowbell and his hangman's rope (which reminds us of black people's linching). Actually people were afraid of him because of he is powerful ("his voice was so full of authority") and clever even he is weird and strange. As if they have never got used to it, they think that they are used to this special day. In fact, there are limits in Shadrack's behaviour as "he never touched anybody, never fought, never caressed" (l. 11). Shadrack's behaviour is a way of thinking but it's madness.

          What is striken is the fact that such an institution as the Church has integrated the institution of the National Suicide Day too. It can be seen with "May's well go on with Shad and save the Lamb the trouble ofredemption" (l. 34). Some allusions to the Christ can be noticed such as "Carpenter" (l. 1) which refers to Joseph, the Christ's father. Moreover, "fisherman" is an allusion to the Christ himself. Then what strikes the reader is the fact that the first element related to the National Suicide Day happens to be a birth. National Suicide Day influences fertility. The friend who answers does an exageration when he says that the labor last "'bout three days". There are also the hens laying of double yolks which can be a reference to Nel and Sula as "twice-friends". Toni Morrison, in order to be as realistic as possible, made grammar mistakes such as "All my boys is Sunday boys" (l. 34).

To conclude, this passage is an introduction to the death's theme.

 

Par Clémentine et Amandine
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Lundi 16 avril 2007

Chicken little’s death

 

          

          We are in 1922 and Sula and Nel are 12 years old. Sula overhears a conversation between her mother and her friends. She learns that Hannah couldn’t love Sula. So Sula and Nel run away and arrive near a river.

 

          The two girls metaphorically explore their inner kindly of early adolescent sexuality by stripping twigs off the bark of a tree, and then rhythmically digging into the earth with them to create wide, deep holes, which they fill with collected debris and then cover with dirt. Morrison writes "grave" which is an anticipation. Immediately following this scene, a young black boy named Chicken Little joins the girls, and Nel watches as Sula playfully swings Chicken Little around in a wide circle until her hands slip, letting the boy’s small body sail trough the air and into the river. Nel like the reader is only spectator. Chicken little disappears under the water and drowns. The death is not mentioned. It recalls Plum's death. It is for the reader to do it and to make his own conclusion, to understand because it is only written "sank". It happened in a split second. Sula had no time to realize what happened. She was taken by surprise. She had shown him the river when they were upon the tree, it is an anticipation. Then Nel remains cool and collected, stating that no one saw what happened. She is more preoccupied by the witness than the death’s child. They never tell anyone about the accident. Although Sula and Nel’s actions following Chicken Little’s death may seem reprehensible, it is necessary to remember that they are still children. They did not intend to harm the boy. They were too afraid to tell anyone about the accident for fear they might be blamed for intending to kill him or deliberately bullying him.

          Ironically, Nel, the more mannered of the two girls because of her strict upbringing, was the first to harass Chicken Little, and Sula was the one who attempted to protect him by telling Nel to leave him alone. Sula defends him when Nel teases him. Here, Morrison presents the young girls behaving almost whimsically because the incident seems on the surface not to have affected them much, but later chapters reveal that his death had a profound influence on them. Instinctively, they know it is possible that society will misunderstand the incident and blame them for something they didn’t really do. Twice after Chicken Little drowns, Morrison writes that there is now "something newly missing" in the girls. Although Morrison never states directly what this "something" is, we come to understand that it is Sula and Nel’s innocence, their youthful feelings of this invincibility. His sudden death shows Sula and Nel how easy it is to die. They are no longer protected by a childish sense of their own immortality. Sula and Nel’s complicity in Chicken Little’s death greatly shakes their childhood innocence. It is the moment when they are the closest. They have a common secret. When Chicken Little climbs the tree, it underlines the fact that Sula is linked with trees. Indeed, at the end of the novel, when Nel is on Sula's grave, and says "girl, girl, girl", there's a tree and its leaves cat as if it understodd what she was saying, it goes round and round at the same rythm as Nel's sentence. 

 

          Later in the novel, we learn that Nel was thrilled when she saw Chicken Little sailing through the air. She remained calm while Sula became distraught. Sula will cry during the funeral whereas Nel who knew she had "done nothing ". It is likely that she feels guilty about her lack of reaction. She understands she is like her mother, almost selfish.

Par Amandine
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Lundi 16 avril 2007

fiche provisoire, à reprendre, corriger, et completer.

1921 – Plum’s death


 

After being a soldier during the first World War, Eva’s son, Plum, returns home. He is emotionally disturbed, extremely thin, and he is now a drug-addict. Eva decides to kill him.

 

 

 

Of all her children, Eva clearly loved Plum the best. This has not changed even though he is now addicted to drugs. She still refers to him as "my baby" even though he is an adult. Plum turns back into baby and Eva becomes the young mother again. They regresse. There is an inversion because she was violent when he was a sick-baby to save him and now she kill him with love. Eva’s decision to kill him is an expression of her loves for him. Indeed because she loves him she is unable to watch as he plummets into addiction, and so she kills him.

After rocking him to sleep one night (like the mother she is), she douses his bed with kerosene and lights it. She has difficulties to come down the stairs because she prepare herself mentally, it’s moving. She looks like an eagle. At first it comes from a good intention. She believes she has the right to decide what is best for him, and believes death is better than addiction. On one level, this a sacrifice: a mother putting her son, whom she loves, out of misery and drugs. On another level, it is an act of selfishness. Later she says to his daughter he would be un-born that’s why she killed him.

The death was not unexpected. Like the other deaths there is nothing clearly said about death, there are just insinuations "as the whoosh of flames engulfed him". And there are still the elements (water, fire and air) with a poetic description. In the behaviour of Eva and Plum, Morrison shows that love is more complicated than we usually think. Love drives people to actions both selfish and selfless, both beautiful and horrible. Morrison claims love is not subject to morality. Eva demonstrates such a deep love for Plum that when she kills him, we accept her crime as an act of desperation born out of love.

 

 

Eva, the mother figure of the book, killed Plum out of love because she though it was better for him. She had understood that he was a doomed and an addicted adult. In fact, love is so complex and intricate. Eva has always made sacrifice for bringing up her children, like her leg for example

Par Amandine
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